French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..  Related Paintings of Jean-Auguste Dominique Ingres :. | Portrait of Felibi | Portrait of Yake | The Turkish Bath | Portrait of Fulong | Portrait of Mali |
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Leonardo Coccorante
Italian, 1680-1750 , Active in Naples during the frist half of the 18th Century Active in Naples during the frist half of the 18th Century .was an Italian painter who was born in Naples, Italy. He studied with Jan Frans van Bloemen (1662-1749), Angelo Maria Costa (1670-1721), and finally with Gabriele Ricciardelli (active between 1741 and 1777). From 1737 to 1739, he was employed decorating the royal palace of Naples. Coccorante died in Naples in 1750. He is best known for his large highly detailed landscapes with imaginary classical architectural ruins. He often included small figures in the foreground to emphasize the expansiveness of the ruins. Coccorante is classified as a veduta (or vista) painter. The Honolulu Academy of Arts, the Louvre, the Lowe Art Museum (Coral Gables, Florida.), Mus??e d??partemental de l'Oise (Beauvais, France), Mus??e de Grenoble (Grenoble, France), Museo Regionale Agostino Pepoli (Trapani, Italy), and Pinacoteca del Castello Sforzesco (Milan, Italy)
Constantin Daniel Stahi
(November 14, 1844 - June 18, 1920) was a Romanian painter and gravure artist. In 1862 he entered the National School of Fine Arts from Iaşi where he was taught by Gheorghe Panaiteanu Bardasare and Gheorghe Şiller. He continued his artistic education in Munich where, for seven years, he studied painting, metal gravure and xylography. He painted still life paintings representing small objects that were surrounding him, such as old books, newspapers, religious items, chairs, shoes, plates and especially fruits. Also, he painted many portraits of famous people of his time (for example Gheorghe Asachi, painted in 1881). Many others of his paintings take inspiration from the simple life in the countryside in idyllic compositions and by painting peasants having as models people living in Bavaria and Moldova regions. Beside his artistic career, he was a professor and, later on, the headmaster of the National School of Fine Arts in Iaşi between 1892 and 1902, following Gheorghe Panaiteanu Bardasare. He died in his house on Bărboi street in Iaşi on June 18, 1920 and was interred at Eternitatea Cemetery.
John Wollaston
English-born American Rococo Era Painter, active 1742-1775